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This led me to explore other natural materials including feathers and horsehair. I was inspired by the material of clay, a natural material sourced from the ground, that conceptually holds the meaning of comfort and connection to the earth.
Influences on my artwork came from clay books including Derek Wilson, Greg Daly and Eric Landon, for their curvaceous vessels and glazing techniques.īruce Riddell’s book Art in The Making questioning “Why do some people prefer circles to squares?” initiated thoughts about curvaceous forms, resulting in my exploration into wheel throwing clay with soft, gentle curves.
#Clip studio paint cosmic brush how to#
I taught myself to centre the clay and developed my own technique for throwing, gradually learning how to trim pots and also the correct drying timeframes for leather hard and bone-dry clay. I also attended an introductory wheel throwing workshop and a glazing class to learn how raw glaze materials can be mixed to form different effects. This relationship is conveyed through the interlinking of coils, which also symbolically communicate the connections between people, reinforced by the cups and the ritual of sharing food and conversations.īecause I was new to the artform of pottery and ceramics this year, my starting points included a lot of research and reading books about clay and techniques of creating, glazing and firing. Grounded is an installation that employs both hand building and wheel throwing techniques to communicate ideas of sensual engagement between the potter and the clay. I found the way I could utilise water to make to make the watercolour either richer or lighter in tone very interesting. I loved learning that I can’t just cover or erase a mistake, it’s always there and very raw. Watercolour was very different to working with pencil or acrylic paint. Interesting/challenging aspects of creating the work … I wanted to make it more personal with images of cats I knew with their different personalities and emotions. I felt I had to make up a story for them and I didn’t want to do that. Even though the images on the internet had more intense facial and body expressions, I felt that they weren’t real. I decided that I didn’t want to copy or source images from the internet. I was unsure of exactly how many works and which source images I would use.
#Clip studio paint cosmic brush series#
These details inspire me to paint and draw so I can present to others what I see, with the details they might be missing, not just in cats, but the world.įor the series of watercolour works, I knew I wanted to complete a number of A3 paintings, each with a different facial expression or body position. Because I can get so close to them, I notice the details of their fur, eyes and noses.
My four cats – Snuggles, Mittens, Cheeto and Honey – are big inspirations to me. I wanted my final piece to convey the same sense of storytelling and emotion as Coppens’ paintings. Martine Coppens, an artist who observes cats with love and fascination, is another influence for me. He was my soul mate, and I wanted to present to people that soul mates don’t just have to be people but can be animals, too. Snuggles, who passed away at the start of the year.
My starting point and main influence was my cat Mr. I’m hoping the viewer can find comfort by being reminded of their connections with their cats or other pets.
#Clip studio paint cosmic brush full#
I found cats to be very entertaining and wanted this series to capture the full spectrum of emotion and expression cats are capable of.
The work explores how cats present their feelings and emotions through body language and facial expressions, and the connections that cats can have with people, providing comfort and release from stress and anxiety without the need to talk. This exhibition highlights the NGV’s strong commitment to arts education, as well as its role as a platform for young people to express their diverse ideas, attitudes and beliefs. This year’s exhibitors were selected based on key criteria including conceptual development, technical excellence, aesthetic considerations, awareness of past and contemporary art practices, individuality and innovation. The exhibition includes reflections on identity, time, home, social issues and our connection to the natural world. Showcasing the exceptional work of students who have completed VCE Art or Studio Arts in 2021, the exhibition highlights the resilience and creativity of young artists, who have used art and design to explore and understand the world around them.Ĭomprising work selected from applicants across Victoria, the exhibition encompasses a range of media, including drawing, painting, printmaking, sculpture, digital and mixed media. For 28 years, the NGV’s annual Top Arts exhibition has celebrated the artistic dynamism and creative vitality of young Victorians.
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