But is one way better for various reasons?ĭigitakt into Digitone? or Digitone into Digitakt for sampling chords perhaps? or, continue to run Digitone through the computer and use the stereo 3/4 outs for the Digitakts inputs and route Digitone into it that way? This way means I can also sample from Ableton / the computer into Digitakt. I’ve been thinking about it and there’s probably a few ways to connect them together.
Tone controls the filter’s center frequency or starting frequency where the modulation is applied.My Digitakt arrived the other day and will take it’s place next to the Digitone, and I’m curious if there’s a prefered way to route them together. X knob controls filter resonance, bringing a more aggressive sound to the selected filter. Drive the filter frequency with the main LFO or do things like set the depth to zero and turn up the LO-FI envelope control to drive the filter frequency with your playing dynamics. Type III is a bandpass filter forming a sliding “window” of frequencies. Type II is a highpass filter used to creatively modulate your low frequencies. Type I is a lowpass filter good for modulated darker tones. X - Cab Simulation: controls the mix of a physical rotary cabinet model into your signal.Īdd tone-shaping movement to your signal with different modulated filters. Type III only spins the drum but still plays sound from the horn. Type II only spins the horn but still plays the sound out of the drum. This is a faster fluttering type detune.īecause you can’t fit a Leslie speaker on your pedalboard, type I aims for that traditional watery sound of a well-oiled Leslie speaker. X knob (Tape) Flutter: control the depth of the flutter effect applied within the tape vibrato type. X knob (Standard and Vinyl) Stereo Phase: controls the phase of the right output in relation to the left output. Warm and charming with a hint of nostalgia.
Type III is our take on the wow and flutter pitch characters found in old tape players. The rate knob can select 33rpm, 45rpm, and 78rpm speeds in this mode. Old record players inspire type II with classic RPM’s on the rate knob and some noise character you’d find in your dad’s old dusty Speedwagon LPs. Type I focuses on traditional vibrato sounds. Make good parts great with detuned, warbly, and vintage sounds that harken back to the 60s. Shape and Symmetry in Type III (pattern Trem) select the pattern group and patterns within each group. X knob manipulates the phase of the left and right volume modulation for a wide stereo panning effect. Type III offers several predefined patterns for rhythmic sequenced pulsing tremolo. This unique sound is formed by raising and lowering your high and low frequencies opposite each other. Type II is a warm and cozy harmonic tremolo – similar to the Monument in harmonic mode. Type I is excellent for traditional sounds similar to optical and bias tremolos that raise and lower the entire frequency range – similar to the Monument in standard mode. This program emulates a tremolo with three algorithms containing all the bells, whistles, and even a cherry on top. X knob determines the amount of phase shifted signal that is fed back to the effect input.
Type III is a phaser modeled after the unique tuning and LFO shape found in a Uni-Vibe. Type II is a 4-Stage model producing 2 notches for a stronger effect. Similar to the Lillian, Type I is a 2-Stage Phaser that produces a single notch to the classic mild phaser. X knob controls Lag to set the maximum allowed amount of pitch detuning.Ĭlassic 70s phaser sounds we all know and love, with added features that you wouldn’t expect. Type III finds its roots in the classic tri-chorus effect running three chorus units in parallel for a lush multi-dimensional chorus. Thanks to the constructive interface, it has a more dramatic character caused by essentially running two chorus pedals in series. Type II adds a second chorus with an offset rate and depth. Type I is a traditional chorus great for tight smooth chorus tones. Find subtle chorus to be vibrant and lush tri-chorus that will instantly teleport you to the 80s.
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